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         Henry 
        Boughton (Harry Blackstone, Sr.) was born on September 27, 1885, in Chicago, 
        Illinois. He began his career touring with his brother Pete in a vaudeville 
        act, and made his first appearance as magician Harry Blackstone at the 
        Grand Theater in Tiffin, Ohio. Known as a masterful showman, with a winning 
        stage presence and a wonderful sense of humor, he charmed children and 
        adults alike. His large-scale performances featured disappearing horses, 
        levitating princesses and buzz-sawed assistants. His famed shoe of “1001 
        Wonders” was especially elaborate: It required a full-to-the-brim 
        double-length railroad baggage car to travel around the country. 
      At Left: Harry Blackstone 
        poses with one of his illusions, and his son, Harry, Jr. is in the monkey 
        costume, working as part of the show. 
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      Among Blackstone’s 
        best-known illusions are the Floating Light Bulb, the Zig-Zag and the 
        Vanishing Birdcage. He’s credited with extraordinary sleight-of-hand, 
        too: In his Dancing Handkerchief routine, for example, he borrowed a handkerchief 
        from an audience member and brought it to life, making it leap and dart 
        around the stage before returning it to its astonished owner.  
      Blackstone was also the tenth member of the International 
        Brotherhood of Magicians, which is the largest Magic organization in the 
        world. It was founded in 1922 and Fantasma Toys is honored to be the only 
        Toy company endorsed by this organization. Blackstone, Sr. proved to be 
        an important figure in this organization’s early history.  
       Blackstone 
        died in Hollywood, California, on November 16, 1965. A few days later 
        his ashes were interred at Lakeside Cemetery, across the water from his 
        longtime home in Colon, Michigan. The town's main street has been named 
        Blackstone Avenue, in memory of the man who was the consummate magician. 
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      Blackstone, A Biographical 
        Sketch  
        By Daniel Waldron 
        Blackstone the Magician was born Henry Boughton on September 27, 1885, 
        in Chicago, Illinois, a son of Barbara and Alfred Boughton. He was known 
        as "Harry" all his life. 
        His love of performing showed itself early when, as a child, he emulated 
        traveling entertainers with backyard performances of his own. At age thirteen 
        he saw a presentation by Kellar, the leading magician of the day, and 
        his life's ambition was set. 
        Shortly before young Harry's fifteenth birthday his father died, leaving 
        a family which now included seven boys.  
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      Harry found employment 
        at a woodworking shop; where one of the orders he handled called for construction 
        of some conjuring apparatus, he 
        made a replica for himself, and thereafter practiced and performed in 
        off-hours while still working at other jobs. 
        By 1905 he and his younger brother, Pete, were doing magic shows in and 
        around Chicago. By 1910 they'd dropped the "gh" from their name 
        and taken to the road with a vaudeville act known as "Harry Bouton 
        and Company in 'Straight and Crooked Magic'." Harry did a trick straight; 
        Pete followed with a comical burlesque. Through decades of trouping Pete 
        was rarely absent from Harry's side as fellow performer, backstage wonder-worker, 
        master mechanic, trusted confidant, and bulwark of inestimable strength. 
      � 
        
        Harry's consuming dream was to have a big illusion show and from 1913 
        onward he began to make it a reality. He took on a new name--Fredrik the 
        Great--selecting it simply because it happened to be one printed on a 
        quantity of magician's unused advertising lithos which the hard-pressed 
        young performer could buy for next to nothing. Once the United States 
        entered World War 1, however, anti-German sentiment caused him to search 
        for a less sensitive name and on January 7, 1918, at the Grand Theater 
        in Tiffin, Ohio, he made his first appearance as "Blackstone, World's 
        Master Magician." 
       
        During the next decade he became one of the best-known magicians in America. 
        The speed and flash of his performing style were just what The Roaring 
        Twenties ordered and important bookings flowed in. 
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        His show had crisscrossed Michigan many times since the start of his career 
        and in 1926 it was in Michigan, at the pleasant, secluded village of Colon, 
        in St. Joseph County, where he purchased some 208 acres of woods, fields, 
        and beachfront property on Sturgeon Lake. It would be his headquarters, 
        workshop, and, as it turned out, the most "permanent" home of 
        his peripatetic life. Here he and his company of performers could relax 
        each summer, and from here every season for the next 24 years the Blackstone 
        Magic Show set forth on its annual journey to entertain, baffle and delight 
        U.S. and Canadian audiences from coast to coast. 
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        In 1927 Harry invited to Colon a visitor who was to have a further impact 
        upon the place of Michigan in the world of magic. Percy Abbott, an Australian 
        wizard, came to fish, stayed to help form The Blackstone Magic Company, 
        and when that dissolved, carried on by himself. Today Abbott's Magic Manufacturing 
        Company of Colon, Michigan, is the largest such enterprise--anywhere. 
        Abbott died some years ago but the firm continues to supply tricks of 
        the trade to conjurors throughout the word and yearly hosts the nation's 
        biggest convention of prestidigitators. 
      At left: Harry in 
        1957, with one of his doves. 
       
        Harry met the Great Depression of the 1930s head-on, with a cut-down one 
        hour version of the big two-and-a-half-hour full evening show, playing 
        three and four a day between films at movie theaters. The same June of 
        1934 in which he was named "King of Magicians" at a conclave 
        in Detroit saw the birth, in Three Rivers, Michigan, of son and heir, 
        Harry Blackstone, Jr. 
        When World War 11 came along, the Blackstone Show was the first to entertain 
        servicemen throughout the land for the newly-organized USO Camp Shows. 
        The long tour was a grueling one but after the war the Blackstone Show 
        was more popular than ever.  
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      The glory years of 
        the late 1940s saw the show at its height of success; but the bonanza 
        was not to last. Television killed live show business, and in 1950 Blackstone's 
        big show, the "Show of 1001 Wonders," the show which required 
        a jam-packed double-length railroad baggage car to transport it around 
        the country, made its last trip back to Michigan. 
       
        With characteristic optimism Harry mounted a smaller, lighter show with 
        fewer people and toured again. But in April of 1955, plagued by poor health 
        and dwindling box office receipts, he left the road for good. 
       
        He had performed continuously for half a century and magic was his life. 
        Happily, his last years were spent serenely at The Magic Castle, in Hollywood, 
        California. Here, just a few blocks from his residence, he could come 
        each evening to visit, greet throngs of friends and admirers, do tricks 
        for hours on end, and enjoy the adulation due the Last of the Big Time 
        Magicians. 
       
        He died in Hollywood on November 16,1965, at the age of eighty. A few 
        days later his ashes were interred at Lakeside Cemetery, just across the 
        water from his old home at Colon, Michigan. 
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        When Harry Blackstone stepped onto the stage you knew you were in the 
        presence of "A Magician." Striding in, shoulders thrown back, 
        arms thrust slightly outward from his sides, elbows bent, his sturdy hands 
        poised as though ready to grapple with unseen forces, he seized the imagination 
        instantly. And when he stood center stage, erect as a pillar, his great 
        white head of hair glowing in the spotlight, a sudden smile of pleasure 
        passing over his face as the gloves which he briskly tossed into the air 
        turned into a fluttering dove before your very eyes--at that moment there 
        was no doubt in your mind that you would relax and be assured of enchantment. 
       Nor was there any 
        fear, as the sonorous, good-humored voice rose without electronic amplification 
        to the last row of the uppermost balcony, that you would have to strain 
        to help lift the dusty cares of life away. You could give yourself over 
        to the astonishment, laughter, awe and delight which lay ahead as horses 
        vanished, princesses floated, handkerchiefs danced, gorgeous girls were 
        buzz-sawed in half, birdcages disappeared from your own fingertips, and 
        people, rabbits, flowers, ducks, burros, bottles, and silken shawls appeared 
        from nowhere, behaved in incredible ways, underwent breathtaking transformations, 
        or vanished completely from human sight in the twinkling of an eye. You 
        were in good hands. You would leave the theater refreshed, full of wonder, 
        and wholly satisfied. 
         
        (This is an edited reproduction of "Blackstone, A 
        Biographical Sketch," first published by the Michigan Department 
        of State as a Great Lakes Informant (Series 1, Number 1). It is no longer 
        in print. � 1998 Michigan Historical Center. 
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